Utilising principles of adaptive reuse and sensory design, Little Richardson uses scenographic, formal and haptic strategies to respond to the urban streetscape.

Utilising principles of adaptive reuse and sensory design, Little Richardson uses scenographic, formal and haptic strategies to respond to the urban streetscape.

Blue Ivy House is a deep response to the design personality of the semi-retired clients, rejecting polite conservatism and instead reflecting their deep appreciation for art and literature.

Space was tight and there was none to waste. Finding the solution became like a solving a puzzle.

In addition to the grafted roof form, a conceptual device of layering and framing was developed to handle transitions, thresholds and views, inspired by the existing double storey front verandah and the owners extensive art collection.

One of the secrets of secret house is that the house straddles a double block, and although it is built over three levels, the family living areas and bedrooms are all contained on the ground level.

The design employs classic sustainable design formal and plan moves yet in an unmistakably contemporary manner; overhanging eaves, north-facing orientation, large north-facing glazing with pergola over, reverse brick veneer, highlight window glazing , exposed concrete slab and custom joinery and wall panels utilising rich red hues of timber veneer.

Spatial and textural experience utilise timber for the defining conceptual elements.

the master-suite has been inspired by the client’s love of antique furniture, with tiles creating a ‘Persian Rug’ effect covering the entire floor and seeing off the original bath and walk-in shower recess with full-length handrail.